St Augustine’s Confessions, His Conversion, Baptism, St Monica’s Death, and Philosophy, Books 8 & 9
Morality

St Augustine’s Confessions, His Conversion, Baptism, St Monica’s Death, and Philosophy, Books 8 & 9

Baptism and confession in ancient Rome were very viewed much more seriously in the ancient world than they are today, as the Christian persecutions were in living memory. St Augustine was baptized in the year 387 while the former Emperor Constantine the Great started favoring Christianity in the year 312, putting to an end the vicious persecution of Christians under the preceding Emperor Diocletian, which was only seventy-five years ago.

Although the severe Diocletian persecutions were fading into history, many Christians had parents or grandparents who suffered and martyred for their Christian faith. There was a strong feeling among the Christians that they needed to be serious about baptism, that committing mortal sins after baptism could endanger their immortal soul. Constantine was baptized on his deathbed since he feared damnation for those enemies that were killed on the battlefield. Monica had delayed her son’s baptism because she was not sure he could repent of the inevitable sins teenagers with raging hormones would commit, and he declined to be baptized until he left the Manichean heresy in his middle age. Many Christians in the time of St Augustine desired to be as serious about their faith as the martyrs were about the faith that they sacrificed their life for.

This explains Augustine’s anxieties as he prepares himself for the challenge of living as perfect a Christian life as possible after his baptism. His anxiety was that he could not control his passions, a common concern in a Roman world so deeply influenced by Stoic philosophy. St Augustine tells us several conversion stories that were shared with him before his own conversion story. […]

Morality

St Augustine’s Confessions: Mother Monica, Concubine, Marriage, and Philosophy, Books 6 & 7

The Confessions were written soon after St Augustine was drafted to be the co-bishop of Hippo, near Carthage. The Confessions are not only a confession of faith and a confession of sin and sinful longings, but also a mirror into his soul, exploring his innermost motivations. The style is unique, Bishop Augustine addresses his Confessions as a prayer to God, addressing God directly, imbedding verses of Scripture and the Psalms directly into his Confessions as he writes these words on his soul. […]

Ladder of Divine Ascent, SMALL Steps 6,7, 13
Ladder of Divine Ascent

Ladder of Divine Ascent, Remembrance of Death, Joy Making Mourning, and Despondency, Steps 6,7, & 13

St John Climacus continues:
Step 6.3. “Fear of death” “comes from disobedience, but trembling at death is a sign of unrepented sins.” Those who fear death the most are the disobedient who live only to party, who live for today, who live for themselves, and do not live for others, they are the unrepentant who tremble at death’s gates. Even “Christ fears death, but does not tremble,” so He can show us that he is both God and man.
Step 6.24. “It is impossible, someone says, impossible to spend the present day devoutly unless we regard it as the last of our whole life.” […]

St Augustine Confessions Books 345
Morality

St Augustine’s Confessions: Manichaeism, NeoPlatonic Philosophy, and Monica’s Prayers, Books 3, 4, and 5

The Confessions were written soon after St Augustine was drafted to be the co-bishop of Hippo, near Carthage. The Confessions are not only a confession of faith and a confession of sin and sinful longings, but also a mirror into his soul, exploring his innermost motivations, and thus are included in many introductory psychology courses as one of the first explorations of our subconscious drives. The style is unique, Bishop Augustine addresses his Confessions as a prayer to God, addressing God directly, imbedding verses of Scripture and the Psalms directly into his Confessions as he writes these words on his soul. […]

Phaedrus Part Two on Divine Love
Philosophy

Plato’s Dialogue of Phaedrus on Divine Love and the Heavenly Chariot, Part 2

In his memorable metaphor for the nature of the soul, Socrates describes “a pair of winged horses and a charioteer. Now the winged horses and the charioteers of the gods are all of them noble and of noble descent, but those of other races are mixed; the human charioteer drives his in a pair; and one of them is noble and of noble breed, and the other is ignoble and of ignoble breed; and the driving of them of necessity gives a great deal of trouble to him.” […]

Phaedrus Platonic Dialogue On Love
Philosophy

Plato’s Dialogue of Phaedrus on Carnal Love and Rhetoric, Part 1

Although Socrates does not condemn homosexual love in either dialogue, he is also depicted as being above carnal love, only capable of a philosophical divine love that is only concerned with the goodness of the soul. In the Symposium, the rowdy Alcibiades crashes the dinner party quite drunk, proclaiming how though he and Socrates were the best of friends, even saving his life in the thick of battle, in the end Socrates refused to become his lover. […]

Hesiod Works and Days
Philosophy

Hesiod: Works and Days, Early Greek Moral Philosophy

Hesiod is a grouchy old farmer who mistrusts ‘lords’” but does not advocate changing the society. “He believes in justice, honesty, conventional piety, self-reliance, self-denial, foresight, and above all, WORK. He dislikes city folk, the sea, women, gossip and LAZINESS. He delivers a maxim like ‘Don’t urinate where the Sun can see you’ with the same earnest convict that he advises judges not to take bribes, his brother to avoid pride, and the farmer to get two nine-year-old oxen and a forty-year-old hired hand. […]

Pinocchio
Literature and Myths

The Original Pinocchio, Deeply Repentant, Unlike the Disney and Jordan Peterson Pinocchio

The original Pinocchio was very different from the happy-go-lucky Disney and Jordan Peterson Pinocchio. Although the Disney movie included the most memorable most memorable stories of the original, the short length of the movie fails to render the deeply penitential tone of the original, which emphasizes how daily struggle is needed to replace bad habit with good habits, how salvation and spiritual growth is never instantaneous but is rather a life long-term process, where for every two steps forward we take one step backwards. The original rebellious Pinocchio was much more of a rogue than the pleasant Disney, he is a juvenile delinquent from the moment he has been carved. […]